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Over
the past year, the hombre's have set up a rehersal room /
recording studio in their soundproof basement, played all
over the UK, have released 2 EPs, played as support for
many bands (The Frames, The Frank & Walters,
Abdoujaparov, and many others), played as headliners,
having grown supprt by many, being in constant demand,
getting minor record company attention, coming second in
the Carlsberg Battle of The Bands (only losing out to a
band with so much stage presence, the lead singer has to
go into the crowd). Their first EP 'four day Hombre' was
recorded at Fernbeck Studios, Yorkshire and consists of 7
of the most loving & awe-inspiring songs that have
ever been written. With the emotional 'Crying Shame' and
the rock of 'Christina's Song'. Recently, they recorded
some new songs in their basement by playing a live set
and rcording the sounds created. Therefore, they named it
'Live 2000'. Their stage sound is recreated, as well as
some of their classics. 'Allow Me' is one of the current
favourites in the EVILoffice, with tracks such as 'Don't
tell me Now' (aka: I love the way you neigh, baby), 'Trace
my Way', and 'Make me See'. This is one band who are
destined to the top, and will never stop being fantastic.
Miss them at your peril. <MooseBlaster>
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four day Hombre; one of
the most enjoyable bands to come out of Leeds. They have
songs to make you dance, laugh and cry (sometimes at the
same time, which can be dangerous if it occurs too often),
and their stage presence is unbelievable. They have more
energy than Moby with many cups of coffee and many kilos
of sugar inside him (albeit without the danger of 'spillage').
The band have the ability to mix many styles of music
into a tight ball of sound, and yet still make it sound
fantastic. The best way to put it is as the band put it:
'dEUS meets The Frames who then get together & mug
Led Zeppelin in a dark alley, four day Hombre would make
Wheat & Counting Crows laugh at a party, & make
REM cry at a gig. As feelgood as G. Love, as desperate as
Nine Inch Nails; living life in widescreen...'
